2020年7月30日（木）
Russian photographer Victoria Krundyshev
The In-boxed’ and ‘Part of their World’, received a lot of comments and positive feedback.”Victoria KrundyshevaStating that the aim is to make the viewer perceive the idea of the photo not just within the classical mind frame, but rather within their emotional state, Victoria concludes by saying, “My photographs are a way to connect with the world inside me and the one outside.”Going bare about internal strugglesOut of the sea, women have their own worldHaving shifted from Russia to Mumbai in 2012, Victoria got herself well acquainted with the multi-faceted and diverse Indian culture.Nobody likes to be lectured about serious issues,” shares award-winning photographer Victoria Krundysheva, adding.
Russian photographer Victoria Krundysheva’s photo series has powerful conceptual images that are elaborate and strong visual statements that highlight societal problems.
THE ASIAN AGE. Each photo depicts a metaphor of how female characters are. It was rather difficult but I had friends helping out.Trapped inside boxesRevealing that most of her frames involve a lot of pre-work and less of editing, Victoria says, “Every location, prop and even the colour theme has a connotation. I plan and list all the equipment and logistics needed well in advance. “We still suppress, label and put down free-minded women attempting to have intellectual conversations — as witches! Times have gone by, but this age-old practice of calling women with opinion witches, hasn’t changed,” reveals Victoria. For the ‘In-boxed’ shoot, I hired a tempo to deliver the desk and old TV on the beach. Accompanied by strong and elaborate verbal statements, all of Victoria’s pictures speak a message of empowerment.
It is about a social issue, not religion. Backpacking across the country, Victoria found many social issues that needed the attention of the public. Turning the wheel or mere passengersExpounding more about ‘Lost Indian Goddesses’, Victoria shares, “It was my first conceptual photo project shot in India and is close to my heart. It is about how female goddesses are worshipped versus how they are treated in real life. I take all major social constructs, internalising them to reflect my deepest engagement in each — it is both intensely personal and loudly public and I like to keep it that way.
Russian photographer Victoria Krundysheva’s photo series has powerful conceptual images that are elaborate and strong visual statements that highlight societal problems.
THE ASIAN AGE. Each photo depicts a metaphor of how female characters are. It was rather difficult but I had friends helping out.Trapped inside boxesRevealing that most of her frames involve a lot of pre-work and less of editing, Victoria says, “Every location, prop and even the colour theme has a connotation. I plan and list all the equipment and logistics needed well in advance. “We still suppress, label and put down free-minded women attempting to have intellectual conversations — as witches! Times have gone by, but this age-old practice of calling women with opinion witches, hasn’t changed,” reveals Victoria. For the ‘In-boxed’ shoot, I hired a tempo to deliver the desk and old TV on the beach. Accompanied by strong and elaborate verbal statements, all of Victoria’s pictures speak a message of empowerment.
It is about a social issue, not religion. Backpacking across the country, Victoria found many social issues that needed the attention of the public. Turning the wheel or mere passengersExpounding more about ‘Lost Indian Goddesses’, Victoria shares, “It was my first conceptual photo project shot in India and is close to my heart. It is about how female goddesses are worshipped versus how they are treated in real life. I take all major social constructs, internalising them to reflect my deepest engagement in each — it is both intensely personal and loudly public and I like to keep it that way.
| コメント(0件) | コメント欄はユーザー登録者のみに公開されます |
